Edmondo Riccardo Annoni
Electroacoustic practices exploring perception, presence, transformation, and the relationship between sound, bodies and environments.
Interbeings
Interbeings is an electroacoustic album developed during an artist residency at LaVallée, Brussels, and released by Shimmering Moods.
Human, animal, vegetal and artificial sound sources enter into relation without a fixed hierarchy. Field recordings, contact microphones, flugelhorn and electronic processing form a permeable sonic ecosystem in which organic and synthetic materials continually reshape one another.
Sound as matter,
presence and transformation.
The work often begins with real sound sources: flugelhorn, trumpet, flute, field recordings, no-input systems, resampled instruments and manipulated acoustic materials.
Acoustic instruments frequently act as anchors of presence within unstable electronic landscapes — points of breath, friction and physicality inside processes of transformation.
La Grotta è Aperta
An electroacoustic work shaped around resonances, feedback, Tibetan bowls, synthesizers and trumpet — moving through breath, darkness, light and a sense of inner, sacred space.
Music for images.
Experience across Italian and international audiovisual productions. His music has appeared in the Netflix documentary series Alex Schwazer: Running for My Truth through pre-existing catalog placements; original-score projects include Wartime Lullabies and Book of Shadows – Hiroshima, 80 Years Later.
Teatro Selvatico
Live music created within transformative practices rooted in ritual theatre and Biotransenergetics.
The music emerges in real time through attentive listening to people, bodies, energy and the transformations that arise during the practice. Rather than following a fixed score, the approach is based on presence, inner and outer listening, and musical response.
DIS-ENGAGE
DIS-ENGAGE is a multidisciplinary Afrovision project exploring ecology, responsibility and forms of knowledge rooted in different cultural traditions. At its core, A̱kye Wuna — “We Care for Land and Water” reflects on environmental practices based on reciprocity, kinship and coexistence rather than hierarchy.
Edmondo developed the musical and sonic dimension with Max Casacci, combining recordings made in Nigeria, electronic processes and live performance. A first public presentation took place at Magazzino sul Po, Turin, as part of a wider ongoing research process.
Maceriæ /
Disgreg-Action
Disgreg-Action is an audiovisual performance by Maceriæ — Edmondo Riccardo Annoni & Raffaele Ricciardi — centred on disintegration, transformation and the recomposition of matter.
Discarded instruments and fragments are activated through contact microphones, electroacoustic processing and microscopic observation. Improvisation turns rupture and residue into new sonic and visual configurations.
Il Limite (The Limit)
Already in 2017, Il Limite grew out of an attempt to use cinema to approach something invisible. Over time, that same research has increasingly shifted from image toward sound and music.
Edmondo Riccardo Annoni is an Italian composer, sound artist and filmmaker whose practice moves across electroacoustic composition, moving image, field recording and transformative performance. Trained as a Sound Healer and holistic sound practitioner, he collaborates with Teatro Selvatico and Albagnano Meditation Centre. His research explores perception, interiority, transformation, presence, consciousness, nature and dimensions of experience that resist direct representation.
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